Best Review Rokinon DS50M-MFT Cine DS 50 mm T1.5 AS IF UMC Full Frame Cine Lens for Olympus & Panasonic Micro Four Thirds

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Brand Rokinon
Lens Type Standard
Compatible Mountings Nikon FX
Camera Lens Description 50 millimetres
Maximum Focal Length 50

  • Full frame coverage with aperture range of T1.5 - T22
  • New DS line that is color matched with other Rokinon DS lenses and have unified gear and aperture positions among all Rokinon Cine DS lenses
  • 46.2 degrees angle of view on full frame cameras & 30.8 degrees angle of view on APS-C
  • Minimum focusing distance of 1.45 ft.; Uses filter size of 77mm

From the manufacturer

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FULL FRAME

50mm T1.5

The 50mm T1.5 AS UMC Cine DS Lens from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh.

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FULL FRAME

50mm T1.5

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. Declicked aperture for smooth iris pulls.

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Technical Specifications

Coverage Full Frame
Aperture Range T1.5 to T22
Diaphragm Blades 8
Coating Ultra Multi-Coating
Minimum Focusing Distance 17.7” (0.45m)
Lens Hood Removable Petal Shaped
Maximum Diameter 3.21” (81.6mm)
Filter Size 77mm
Optical Construction 9 Elements in 6 Groups
Special Elements 1 ASP, 1 H-ASP
Angle of View Full Frame: 46.2°, APS-C: 30.8°, Canon APS-C: 29.0°, 4/3: 23.6°
Focus Gear Diameter 3.21" (81.6mm)
Aperture Gear Diameter 2.90" (73.6mm), Nikon F: 2.77" (70.4mm)

Product Description

The long awaited Rokinon 50mm T1.5 Cine Lens is finally here! The new Rokinon Cine DS 50mm T1.5 Cine Lens is one of Rokinon's newly introduced 2nd generation of cine lenses under its CINE DS line. The Rokinon Cine DS lineup has 3 primary advantages: 1) All of the gears are unified among all Rokinon Cine DS lenses. The focus and aperture gears are exactly aligned so that the user does not have to re-adjust his/her follow focus when swapping out lenses. 2) The new Cine DS lenses now feature dual focusing scales, one on each side. 3) All of the Cine DS lenses are tested to be color matched to provide the same color & contrast in video production.

Product information

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